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The evaluation form had six different categories (listed below),
and I got a check plus (the highest mark you could get) in each:
- makes use of course concepts to perform critical analysis of the
text chosen for analysis
- refers explicitly to the reading material and uses proper citation method
- addresses the question: what cultural codes are at work in this text?
- explores the race, class, and gender, and/or sexual meaning systems in the
text
- considers the roles of ideology, hegemony, and resistance in the text
- uses specific examples to support argument
In the General Comments section the TA wrote,
"Excellent work overall. Your analysis of "Dogma" is thoughtful
and well-written. Towards the end, you could edit a bit (repetitive on
Gramsci, etc.). But overall, wonderful!
Thanks, [name deleted]"
Below are the comments written into the margins of the paper by the
TA.
[Footnote #1] TA's comment: What small print! I
should have enlargened it :)
My response: Um... you caught me. I'll confess --
I made it 10 pt type so I could fit everything I wanted to say
into the space limitations we had. Okay, so I was bad... :-) [back]
[Footnote #2] TA's comment: from where?
My response: Erk, I forgot to mention that. It came from
both what I was hearing the audience around me comment on as I left the
theatre, what my companions at the movie said, and what I'd seen in the
odd review or so I'd heard of from friends, the newspaper, and the web.
[back]
[Footnote #3] TA's comment: good [back]
[Footnote #4] TA's comment: good questions [back]
[Footnote #5] TA's comment: nice transition [back]
[Footnote #6] TA's comment: but this would suggest
'Indian' characteristics exist.
My response: An excellent point, and one I was initially
trying to make, until I got myself tangled up in my own commentary.[back]
[Footnote #7] TA's comment: why are the other
characters (female) gendered but not raced?
My response: I admit, I'm not sure here what the TA means.
Taking a stab at it, I'll guess she's asking why the female characters
all appear mostly Caucasian, where the male characters are more
obviously black or white. Unfortunately I don't know what the director was
thinking, but I'd guess he realized on some level the female characters
would have a harder time being accepted by the movie's audience, since
they were carrying a heavier load of the subversive commentary he wished
to make. As a result he didn't want to make them appear so 'radical'
(i.e. not the hegemonic societal 'norm' of a white middle-class female)
that the audience would refuse them, and by extension the movie as
well.[back]
[Footnote #8] TA's comment: nicely stated [back]
[Footnote #9] TA's comment: excellent point
My response: thanks! :-) [back]
[Footnote #10] TA's comment: incomplete sentence
My response: what, you thought I'd only put up the
good things the TA wrote? :-) [back]
[Footnote #11] TA's comment: in newspapers,
magazines?
My response: Newspapers and the web, yes. I don't
tend to read magazines much.[back]
[Footnote #12] TA's comment: you made this point
quite nicely already
My response: Oops. Oh well, I thought the bit about it being
dialogic made it different enough that it bore repeating... my mistake.
:-)[back]
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